What is not seen

With all that had to be done for the exhibition I didn't have time to upload here this small video I made

It's made of all the extra footage that I took for Mike's course, when I was shooting the interviews with Linda and David I'd usually leave the camera switched on, sometimes on purpose, sometimes by mistake, but they weren't aware of it, so what was captured is how they really are and behave when they don't have to act...it's usually what we never get to see when we watch a movie or a video

The subtitles were added in a rush as the screen on the museum didn't have a good sound, so I removed it then, they only have the most important parts so you can understand what's going on

Reflektion!

Well, everything went perfect, after a lot of work, the inauguration was a success, the press came and it showed in the newspaper and internet here:

http://www.folkbladet.se/kultur/default.aspx?articleid=6067829
http://www.kultursidan.nu/?p=6719

And what can be said...This exhibition is not only a great opportunity, it's the closure of an amazing year here in Sweden, I've experienced and seen a lot of things, both good and bad, I've truly evolved myself, and to resume everything in this exhibition is more than wonderful...

So, tack så mycket!

the bronze casting

To make this piece I had to go back to Spain, the installations here in Sweden were too small to make this

The process of bronze casting a piece like this is quite long, first of all, I had to make a plaster cast of a ball, then in two pieces, make with it the two sides of the ball with wax, as it's empty on the inside, I had to do it aplying thin layers of wax. Once I had the teo sides of the wax ball, with a hot iron I started making the different holes on it, and refining the borders.

Once the ball was ready on itself, I had to add a lot of wax pipes which will be used later to let the molten bronze in, I also had to add some air exits. When the pipes are ready, the whole wax piece goes inside a block of plaster mixed with brick powder, and when it has dried, it's placed inside a hoven. Then, all the wax melts and goes away, leaving a block which has inside the shape the piece and the pipes had.

That leads to the video, the block is placed in sand, because if something goes gronw it could explode, then, with the bronze molten at 1200 Cº, we pour it inside the pipes, as the video shows, I also worked on this, the first two blocks contain this piece. When the bronze has cooled down, the plaster block is destroyed, and if everything goes well (which is not so common), the piece is almost finished, there is only left removing the pipes, as the first two pictures show, and then polishing it

I think it's quite funny, how this piece, which is about my own identity, is the project where I recieved most help in my artistic life, I had the colaboration of three teachers and the help of a lot of friends in order to finish it and be able to bring it to Sweden on time...I believe, that this process and how I was helped really suits the piece.

stamp

I haven't done an update on this blog for a while, I've been really busy, with a trip to Spain, and the exhibition coming closer

This are the stamps of the woodcuts I made around february and march, I had to stamp them in Spain, and bring them back to Sweden. I'm really happy with the final result of both of them, eventhough I won't be using the footprint one in the exhibition, on the other hand the finguerprint will be used to design the poster of the exhibition

Self-Identity

Here is the sketch for the last project (unless I finish it really quickly, which I don't think is possible) for this course, a piece that represents my idetity

Reaching this point was really difficult, I've been trying to achieve this for months. I found quite hard to summarize my identity in a single image/piece...When I started looking at my own identity, I found out that there was so much I should represent, so many different things, aspects of my life, that I didn't know how I should start...First I tried to think about it out of the blue, but that only lead me to think about my personality and my relation with society, leaving out some important things...Then I decided to change my strategy, and tried to think about it by parts, but that didn't help much either...

Anyway, that set me on the right way (I think), as I started learning things about myself...I finally started writting everything down, giving it shape, and listing all the different aspects of my identity...with all that learnt and in my mind, I ended up creating this design

It works as a whole thing, everything is conected and moving, flowing...I feel this piece represents everything that I am right now at this point of my life, I feel identified with it

Now comes the technical part, I'd love to do this in bronze, but I really don't know if it's technically possible, or if the University has the equipment needed for this...I know I could do it in wood, but I thinks it's important that it's made of bronze...I'll have to check the different options

2 weeks later

Two weeks later I've finished the plural identity project...Basically, thanks to Easter, I worked a lot...As the theorical and concept explanations are on the last entry, I won't write about them now

The piece was way harder from wat I expected when I made the sketch, it took more time and effort than expected, but I managed to finish it before planned at the end

I gave each spike it's shape, and then when it was polished, cut it in small pieces and glue it again. When all the spikes were ready, I glued them together and repeated the process with the lower zone: shape it, polish it, cut and glue it again...at the end it became really difficult to keep it on because I couldn't attach the piece to something stable enough to cut it properly

I'm quite stisfied with the final result, it's similar to the first idea I had and working with a lot of small pieces turned out as I expected, although it possed a lot of extra work which I didn't count with at the beginning

Harder, Better, Faster, Stronger

Well, 3 weeks ago I listed my objectives, the projects I had in mind...and talked about making a sculpture about the plural identities, I said I didn't have this idea quite clear yet...

Right now I've changed my plans, and I've started working on this, It's going to be a wood sculpture completely made of small pieces as if it was a puzzle.

We are social beings, we are small pieces of society, we need it to survive, to have all our needs covered, to be part of it we work, we have friends, we consume...and we make it work. a single person usually wont go too far, even behind the greatest personalities in history there is a lot of people working for them...That explains the shape of this sculpture, all the pieces together can rise higher, they are stronger and can achieve things that a single piece couldn't...a single piece would never be able to be a single spike

On the other hand, the spikes themselves have their own identity, as groups do...from bussiness, companies, political parties, even countries...when we think about them, they have their own atributes...and they do what we alone can't

Step strong

This is the sketch for the woodcut I talked about earlier...

As I said, it's related to the human signature on our world, how we have changed the world, building, destroying, polluting, croping, extracting...Nowadays there are really few places where you can go and fin no human traces...This is the proof of the human identity, because we all are part of it, we step strong on the world, and leave our mark, deeper than any other animal

The woodcut itself follows a lot the style of the ones I made last year, it's a way of working that I really liked, and that I wanted to use once more time...Right now I've started carving the wood

Towards June

Well, we are now in march, and the end of the course and the exhibition draws closer...I still have a lot of projects in mind, with the hope that I'll be able to complete them all...They aren't still really defined, or there is no chance to make a sketch of some of them...

-Different identities: each one of us has in fact several identities, several faces, we aren't the same when we are with our family, than we are with our friends, with people we don't know that much...Some people just may know you when you work, while others just when you party. Nowadays we also have internet, where we can be whoever we want...I think this are parts of our identity, and I'd like to make an scultpure in clay about this...I have the idea quite clear, but not enough yet to make a sketch (and I should focus more on what I'm doing now)

-The human footstep: This project would be related to the finger print, being also a woodcut. I think it's quite interesting how each animal has it's own footprint, and by that you may be able to recognize what kind of animal it is. But what about humans? to begin with, we wear shoes, which makes us have lots of footprints and at the same time, they are all made of, because they are industrially produced...But the human signature on the world doesn't end up there, we've changed the world, built cities, destroyed forests...I think that is also the human signature on the world

-Just a photo: I find quite funny all what it takes nowadays to make a "normal photo"...or what is supposed to be so...lightning, make up, clothing, background, editing...images of people can be so artificial, yet, we are so used to them, that I thought it could be an intersting project to get started with photography...This project would be somehow related with the mirror

-A bunch of numbers: one of the most recurrent aspects of identity nowadays is the "official" identities we have, we are identified by numbers...by the goverment, by the banks...how many numbers can identify one person? I'd also would make a photo proyect about this

-Plural identities: groups also have identities, and have a huge rol in our society nowadays...people are just pieces of this, they make them work. All of us are related to plural identities, we are social beings, we get together...This is the project that is the least clear for me right now

-self-identity: this would be the last project for the course, and a must-do for me...There has been a lot of self-portaits, but as far as I know, there hasn't been any self-identity...I want to abstract the image I have about my identity right now, and make a sculpture about it, I think it's quite important to make this after this whole project, and also quite fitting for the end of my studies

Everlasting

As I said in a previous update, the idea of working about identity came when I was working on a woodcut project that dealt with life and death...What lasts?

Then, I thought about how humans have been signing up since they were humans, from the cave paintings, to craftsmen, artists...even grafittis are signatures.

Signatures have a huge importance, they represent ourselves, they are used to make decisions, to mark, and they last through time, they are used to last...A good example of the great importance of signatures is the anecdote about how Picasso stained someone's trousers (a french ambassador if I recall correctly), and how, instead of being upset, he asked Picasso to sign up the trousers, it was paint in some trousers, but a signature gave them further importance and meaning...I think this also has great importance for the art world, as a piece it's not only important by itself, but who made it is...

But signatures usually are written, or nowadays they are just numbers...they can be copied, and they are arbitrary, I don't understand a chinesse signature, and probably my signature won't mean anything to a chinesse...

But as humans, we have some characteristics that are common to all of us, but at the same time are unique...One of this characteristics is the finger print: all of us have one, but each person's is slightly different from everybody else...this is even used by the police to track down people

I thought it's quite funny that one of this unique characteristics is in fact a print, we stamp our finger to get a finger print, So I thought about making a woodcut of my own finger print, and making a stamp, a piece, which is actually my biological signature...And also, making a piece of my signature, is making a piece about myself, about me as an artist, and the importance that may have that I made a piece like this...It also conects with the asiatic style of signing, as far as I know, they have a stamp so their signature is always exactly the same...

Nowadays, this project is half-way done, I'm currently carving a disc of a trunk of ash...I don't know yet where or how I'll stamp it

Evolving

This project will attempt to deal with the relation that each person has with his/herself, and how does time play a role on this

The starting point comes from the way that philosophy studies identity: identity comes from the word "identical", therefore  identity is treated as a way of sameness, sameness to oneself. Several philosophers such as Hegel, Hume or Locke studied identity and this issue of sameness. As in maths, sameness, or equalness its represented by "=", Then we can say that A=A where A is oneself

Hegel said that this identity is only an affirmation, because in fact, there is not only "A", there is "A=A", there is another A outside A, to represent sameness we just don't say "A", it must be equal to something.

Then, how does it come we are equal to ourselves, but we can't properly proove it? Here enters the concept of continuity, and how time affects identities, Hume and Locke worked on this. Usually, when we think about identities, or people, we tend to think about it (or them) as a static thing in the time, that doesn't change, but that's not how it is, isn't it? we are always evolving, meeting new people, having new ideas...As Per told me some days ago, there is a statement, which is quite true, that says "You can't bathe in the same river twice", because it won't be the same water you bathed in the first time...

But rivers usually have a name, and are thought of as something continuous, because they are always carrying water. Same happens with people and their identities...they are always evolving, changing, but they are still the same person...And that is thanks to the consciousness, memories and personality of each one, through time, we proove our identities...Such as you can't know a person from the first time you met him/her, it's continuity and time what allows us to have an identity...It's being permanently changed even if it's only small changes, one is equal to oneself also because of this...as time is something we can't elude, and thanks to it we are always evolving, that is also part of each one's identity...So evolving is also a proove of our identity and our equalness to ourselves

This is the argumentation for a sculpture hanging from the ceilling that is thought to represent a drop of water made of cloth. In Spain we say "identical as two drops of water". A drop of water is quite appropiate for this project, it's fluid, it's always falling, therefore moving through time, it's a symbol of equalness (at least in Spain)...

Made of different pieces of cloth, meant to represent how we change on our surface, but we still preserve our identity through time...Usually changes in the way we dress up, style and such are the first thing that people notices when somebody has changed/evolved...But it's still the same person, it's just the surface what changes...

So, as the drop falls, the different pieces of cloth are falling behind, but the drop of water remains the same through time...It's always evolving, but it's always the same

Foundations

 Here is the second project, the wood sculpture about how we are influenced by our relatives, enviroment, etc, and how those influences are the foundations of our identity

About the process, I think it's quite funny (and also paradoxical if you think about the sculpture theme) that I made this sculpture breaking all the guidelines I was given on my previous years of studies: gluing the wood pieces "against fiber", and giving them colour and wax coating before sculpting the upper zone, also gluing those pieces to a massive trunk...

Basically, I chopped the wood into small pieces, polished them, glued them (against fiber), polished them again to give them the correct shape, coloured them with anilines, coated them with wax, and then I glued them to the trunk, which was later carved, polished and coated. Of course, guidelines are there for something, and I encountered some problems such as weak gluings, the wood pieces got quite dirty after the carving of the trunk, and I had to polish the wax again, and some of the wood pieces were displaced after the gluing, so I had to polish them, and even remove one

Anyway, It was a really useful project, I learnt how to use the big machines, that are forbidden for students in Spain, I got to colour wood with anilines for the first time, I experienced with difficult gluings, and carved for the first time a trunk, which was quite satisfactory

I'm satisfied with the final result, the sculpture is really smilar to the first idea, and turned out well

The mirror

Here is the whole process of this project: I used iron plates and welded them with a gas mixture welder. When the whole structure was welded, I burnt  and melt the borders to make them uneven, and used the heat from that to rust the piece.

Originally, I planned on just polishing it and leave it like that, but by Per's suggestion I welded the central zones and polished them with a grinding disc so the central zone would have a greater fade, and would look more like a single piece instead of several iron plates put together (that's the fourth image)...And finally polished it again until it became a mirror in the central zone

The piece itself didn't turn out to be exactly as I planned at first, I found several problems with the welding process, as the plates were too thin for the techniques I was using on them, they melted, deformed and behaved in different and weird ways, which I had to deal with and adapt to the idea. On the other hand, I found really interesting and useful learning about gas welding.

Anyway, I'm happy with the final result, I thought I'd need to chrome the piece to make it reflective, and that was not needed at the end. Eventhough the piece itself doesn't match completely the first idea, I think it's better, the first one was way more controled and forced

The "Waste" project

Here is an old project I developed las year, in a wood engraving course I took in Madrid. As I said in an older entry, I didn't upload it because I did not have photos from almost all of the stamps...When I went back to Madrid last Christmas I tried to recover them, as they are kept in the university. Unfortunately, my former teacher wasn't there, so I couldn't get them back, so most of this photos are made from different trials that I have at home (therefore they aren't the best stamps of each engraving I have made)

Back to the topic, this project deals with the waste of time and life itself. Back then, I was quite concerned about the importance of life and how it's permanently wasted. But, this project is also guided by different Metallica songs (did I already say I'm a Metallica fan?), each theme is in part inspired by a song, and the texts are lyrics from them

The project lasted the whole course, starting from october 2010 until June 2011...The project itself was quite controlled (overcontrolled in my opinion) by my former teacher, who insisted on modifying the sketches we made, and not always with good results (also in my opinion), as it happens in the 6th one, which really differs a lot from my first idea...We weren't allowed to start working until the teacher approved the sketch, ans she really modified a lot that one.

The themes deal respectively with the excess, the war, the destruction of the enviroment, the hatred and racism, the fanatism, the manipulation, and the money...They are based on "The memory remains", "Disposable Heroes", "Blackened", "Don't tread on me", "The God that failed", "Master of Puppets" and "King Nothing"...The last 4 photos come from the last assignement, we had to make an art book, mine was based on "Frantic", and is the conclusion to the project, and to my concerns about life, as I decided that your time is not wasted as long as you are the one who decides how to use it enjoying it, giving value to all the activities we usually do, and lots of people think of as "waste of time"

This project has some influence over the identity project I'm working on now, as the first idea came while i was thinking about life and death, and the concept of a life lasting until the person is completely forgotten (sounds like a Hollywood phrase)...I started thinking about what remains when someone is dead, and thought that what remains is the identity (originally I thought about the memory of an identity), and started thinking about what is an identity, and what compones it...And kept the idea for a future project